On this page: The Conflict, Maple Leaf, and From Reverie
For more poetry choose: Next Page

    The Conflict

    (terza rima)
"The Conflict," subject of debate today --
Antagonism and dichotomy.
We see it, not in what the writers say

 but how the writers’ people act, or see
the world (and life!) through their fictitious eyes.
A poem without it would be incomplete.

 Is there some pattern to the way they write,
pre-planning how the story ought to go?
Or could they all be equally surprised?

 We study hard for classes and we hope
that someday we might find that rhythm, too,
that ties our fleeting thoughts into a poem

 that says it all, and more, and serves to prove
our merit as true poets -- not just good
or fine, but shows we’ve spoken with the muse.

 But easier that each iambic foot
be jammed into my mouth clear to the leg,
than any sense and structure could be cooked

 into a savory stew that I might let
another sample -- from my brewing pan
or serving platter -- let alone digest!

 Yet still we practice writing, knowing that
the practice makes it perfect, if the "it"
means skill, and not the magic. And we ask

 to what divine committee we submit
our manuscripts when all is done -- or what?
Is this, my Critic, my antagonist?

 The others who might say "not good enough"
I have misnamed "the enemy," but all
they send me back to do is polish, cut --

 Not for me, not against me, only naught.
But I have looked undaunted at the void.
The greatest lesson any teacher taught:

 To chase my demons out through every voice.
Antagonist, protagonist are now
revealed in my imagined fears and joys.

 And having used up every other vowel, 
we turn to see the subject of the day
resolved, yet, for new readers, still unfound. 

    -- Verlene Schermer


© Copyright 1997 Verlene Schermer
All Rights Reserved


    Maple Leaf

    (blank verse)
The maple leaf turned ripely autumn-toned
And fell uncertainly toward the ground
But then was rescued by a whirling wind
And carried to a brisk, impatient stream
And set so lovingly and lightly down
It did not sink, but floated swiftly on
And on past apple orchards, meadow lands
And rocky crags. The river over ran
The cliff’s tall edge and with it fell the brown
Half-moistened maple leaf. "How far I’ve come!"
The leaf exclaimed, "and yet how far from home
With no way ever to return again!"
And with the water falling all around,
It plunged into the pool’s dark depths. And then,
It floated to the surface where the sun
Beat down its warmth to push the process on.
The blackened maple leaf could not have known
That it would finally come to winter-in
Among the mildew in the stagnant pond.
But this was not the lengthy journey’s end:
The decomposing leaf would now return
Its elements into the pool, the ground
And then into the air where they might find
Their way back to the tree in early spring
To feed her for the new growth on her limbs.
And as her spring-and-summer-worth of green
Begins to turn to gold when autumn comes,
She’ll willingly release what she has grown
Because the cycle must continue on. 
    -- Verlene Schermer


© Copyright 1997 Verlene Schermer
All Rights Reserved


    From Reverie

    (English sonnet)
What’s drawing me from reverie today?
The sound is quite familiar, yet unknown --
A thousand tiny crashing cymbals play
Crisp accents to the downtown rhythmic drone.
Is this an elfin band of fairy folk
Rehearsing for an otherworld parade?
Or no -- a sudden craving for a Coke
Tunes in the source -- here’s how the sound is made:
A metal cart, glass bottles -- when they meet
Chi-chinging in a counter-pulse all through
The thrum, thr-rumm of traffic in the street.
A man across the fence pushing his due;
I, on the other side. And yet so fine
And delicate the balance of that line.
    -- Verlene Schermer


© Copyright 1997 Verlene Schermer
All Rights Reserved


Return to Verlene, the Writer
Return to Verlene's Place
Return to Poetry Contents
Go to Next Page